How to keep your eye on the forest when the trees are so very lovely

Trees at Columbus Circle, New York, January 2012

One of the things I started my new year off thinking about are my larger, longer, and bigger life and business goals. When taking stock of 2011 I realised that I had lost track of some of these bigger goals all for being focused on the smaller day to day ones.

Most of us have our lofty dreams, our go-to goals, and our list of must-dos. Each one of these dreams and goals are made up of a series of much smaller actions – actions that, when put together as part of an overall plan, help to shape these big dreams. Sometimes, though, we can get so involved with the smaller bits, the day to day, that we lose sight of where we are headed, or even momentarily forget where we are going, and our overall plan for how to get there.

You know that old saying: She couldn’t see the forest for the trees? Sometimes the trees all look so lovely and so compelling that we forget to shift our perspective and look at them all together, as a forest.

Let’s look at the pieces and the whole as a movie camera would: Close ups of the leaves, and the branches, shifting to the trunk and to the earth where the trees are rooted, and shifting again to the tops of the trees, and further to the sky. Now, slowly, the camera moves back. Our vision is widened, and we see all the varied and sundry trees growing together in the forest. Each tree a goal or a dream, each tree linked to each other through the earth and through the sky.

So as you begin this new year, as you move through this first month of the year, how are you putting your vision to work?

Are you remembering to switch your focus from close up to panoramic view, and vice versa? Are you focusing on the small bits that make up the whole and stopping now and then to step back and look at the whole picture?

One of the practices that I will be putting to work for myself is the use of perspective. Just as in drawing or painting or photography, the use of perspective gives us depth and spatial relationship, it gives us space, it gives us context and it gives us a view to where we’re going.

So whatever the task at hand – writing copy, working on a new piece, designing a promo piece or finishing a piece of jewelery – I will be building in time to step back and look at where I’m going. This will mean changing some patterns {see Maeg Yosef’s post on changing patterns}, and adding some time to stop and look and listen.

What things are you doing this January to change up your focus a bit, and keep your eye on the forest as well as the trees?

are you where you want to be with your creative work? keep working


Are you where you want to be with your creative work? Have you started working on a project or an idea and realised that what you are making and what you envision making are not on the same level? Is the vision in your mind so much better that the result right now? Are you disappointed? Wanting to chuck the idea?

Whether you are starting out on your journey as a creator, or are anywhere along your path, you will hit spots where what you’re creating might not live up to the grand idea that sprung forth fully-formed from your brain. I am going to step out on the high wire 10 stories above the pavement here, and say:

I think everyone who embarks on a journey or a life of creating has experienced those moments where their creations are not living up to their expectations and hopes. Everyone.

The not-so-secret answer? Keep going.

Make lots of work. Keep working on your craft. Create a body of work. Create a large body of work. Create an even larger body of work. Keep practicing. Accept that this is your path, and embrace it. Keep working on your ideas, keep inspiring yourself with more ideas.

There are so many things about this life, this creative life, that people don’t tell you, maybe we don’t think to tell each other. I don’t think it’s that anyone is keeping secrets, I think we stumble upon our own answers as we go. We wade through a few streams, and climb a few hills, stumble and fall a few times, and if we’re lucky we have some breakthroughs, and we keep going.

There are many times in my my life where I have wished for a training manual or at the very least one of those picture-based directional pamphlets, like you get when you purchase furniture from Ikea. But as I write that, I also realise that if someone had told me all the things I wished I had known, would I have listened? Probably not. At least not to all of them. You? Perhaps the same?

What I have learned (some of it kicking and screaming along the way) is that the only secret to getting to where I want to go is to just keep going. Your ideas may change. Your vision may shift and grow. Keep going. Your ability to express your creative idea, in whatever form, will only get better. Keep going. This is an ever changing landscape, this creating thing, and since we know that one of the few constants in life is change, accept it in your creative work, too.

Oh, and the second part of that not-so-secret answer? Don’t give up.

Think about the work that you’ve given up on in the past. I have a short to medium list myself. Think about how even after you gave up on the idea or the project, it still comes back and visits you. In dreams. In thoughts. Remember the great idea that you were so excited about but you couldn’t execute just the way you saw it in your mind’s eye, so you stopped? Yeah, that one. If it keeps returning to you, you might want to look at it again.

To get where you want to go with your creative work, to get closer to the vision that you see with your mind’s eye, you just have to work and keep working. It’s that simple.

So the work is not quite the way you want it to look, read, or be heard. Keep working. So you didn’t get the response you wanted from your partner, best friend, studio mate. Keep working. It’s going to take time, it’s going to take practice, and it’s going to take – yup, you got it – work.

This whole topic – how to get where I am going with my art work – is often on my mind. I’ve written many pieces for myself in my creative journal, and then I started working on this piece for Scoutie Girl about 10 days ago. Yesterday, when I was working on edits, a friend sent me a video with words from Ira Glass on just this topic. It’s a lovely bit of synchronicity, and Ira Glass says it all so very well.

So have a listen. Feel his words.
And then go back to your work.

Ira Glass on Storytelling from David Shiyang Liu on Vimeo.

Where is your vision lining up with your executions? Where is it not? Tell us your stories about how you’ve kept working.

Video from David Shyang Liu

Do You Honour Your Own Vision?

A few years ago I worked on a project that I was totally and completely in love with. A series of cards that I also envisioned as a boxed set and further saw as journals. I dove into the project open-hearted and fully excited. I had an art director at a large stationery publisher who was interested, and I spent a few months fully engaged, totally jazzed and working hard.

The project went for design review, and was rejected.

I spent a bit of time totally disappointed and ended up putting the project aside, thinking, “Huh, well that didn’t work out.” I put all my sketches and finished mock ups in a box and moved along to other things.

Earlier this year, I found the box of sketches and mock ups and got totally excited all over again. I stopped and listened to how I felt. I still wanted to make these cards, that desire hadn’t gone away, and maybe, just maybe, that said more than the initial rejection of the work. I made some changes to the original project and decided to release the cards in my Etsy shop. The format has totally been transformed but the idea is still there – a series of astrology birthday cards (you can find them here) and they are starting to sell. What gives me the most pleasure is the e-mails I have received from people telling me things like: wow, this is just what I’ve wanted to find in a birthday card!

So the thing that I got to thinking about is this:

Leaving aside prevailing trends and the overall market, what is it that makes an idea fly?

Is it enthusiasm and perseverance? If the idea is a physical product, is it about unveiling the idea and then making changes as needed to fit the current market? Is there an aspect of kismet involved? Or is it all of the above, and probably more?

I have found that holding onto a vision — for a project, a collaboration, anything really — can be tricky. There is the need to stand fully behind it, feet planted, sleeves rolled up and an excitement about getting to work, and at the same time to hold the vision loosely in my hands, to see what it wants to become, to see where it wants to go.

I believe that a vision, or an idea, doesn’t want to be strangled, or pigeon-holed; it wants to fly.

I think that anyone who has had a vision for something would say that their vision takes on a life of its own, and being able to allow it to lead you a bit, is just as important as the initial idea. Much of this listening to a vision is also linked to being able to hear your own inner voice. Being able to get in touch with your own self, and listen to the wisdom that resides there. The key for me is to step away from the opinions and the feedback, away from looking at what other people are doing, away from what is trending, and what is popular, and listen to what excites me. Listen to what makes me feel positive and energised.

So here is the current question that I put out to a group of artists and entrepreneurs:
Do you have a product that you created and love, but it’s not moving; or a service that you offer that no one is taking you up on; a partnership that is feeling stagnant, or an area of your business that you are just not reaping any rewards from? How do you know if it’s time to let something go? How do you know if it’s time to cut bait and move on, or if it’s time to be patient and keep working?

We are all bound to hit a figurative wall every now and then. There are too many obstacles to overcome to complete a project that it seems impossible. You begin to dread working on something that you’d normally love. When this happens to me, I take a break. I put it away for a few days, both physically and mentally. If it was something I really care about, I find myself filled with desire to get back to that project. If I still experience that dread or even indifference, I typically let that go because my heart wasn’t in it to start with.

Christen Olivarez is a writer/editor/lover of life.

* * * * * * *

A simple truth about me: sewing and fabric make me very very happy. When I began sewing again after a 20 year break, people started asking me to sell the bags and aprons I was creating. I was so delighted by their requests (and it meant playing with more fabric!), so suddenly there were many assembly lines of created items that found there way to my Etsy shop and some in-person shows. With each weekend spent creating the same items on repeat that I was “convinced” would sell at a particular upcoming show (items that might not have been creations I would have made for myself), my love of sewing turned into a part-time job I wasn’t sure I wanted.

Finally, after just breaking even at a big show, I decided to stop the assembly lines and participating in shows for a while. I spent some time away from sewing and began focusing on other aspects of my business. As those aspects began to thrive, I turned to sewing when I wanted to just have fun in my studio. I now believe that the reason I didn’t have success at a few shows in the past was partly because the audience could sense that the joy wasn’t there for me. Now, I take my own “joy temperature” when in the midst of a project and I make adjustments when I sense joy isn’t one of my guides.

Liz Lamoreux is a creator, a teacher, a writer.

* * * * * * *

About ten years ago, I had a flash of inspiration to create live paintings at weddings, paintings that are inspired by the special moments and colors of each unique wedding. I mulled the idea over for awhile, and eventually “practiced” at one of my close friend’s weddings. They loved it, and through word of mouth, I did about five more wedding paintings over the course of several years.

Over the past couple years, I’ve had some inquiries, but no takers on the wedding paintings. I’ve realized that as much as I enjoy creating these live paintings, it’s actually a lot of work and a lot of pressure! Perhaps my heart is not totally in it, and this is why the business has slowed down? It’s so important to stay present to where your passion truly lies and remember that this is an ever-evolving process.

Flora Bowley is an internationally celebrated painter, teacher, and inspirationalist, and is currently writing a book entitled, “Brave Intuitive Painting: Let Go. Be Bold. Unfold.”

* * * * * * *

I think that a person should only really let something go if they feel dispassionate about it themselves or if it no longer makes them happy. If the product/service/business pursuit is still filling you up with joy and excitement and love, why ditch it? I have faith that potential clients and consumers will eventually pick up on the fact that you’re stoked and then become stoked themselves. So it’s really a question of whether or not what you’re pursuing is good for YOU, if that makes sense.

For example: I created a series of small paintings a few years ago that no one seemed to like as much as I did. But they made me really happy to create, so I kept going with them. Not even a year later, a few of those paintings were recognized in Communication Arts magazine when they did a feature on my work. In fact, the story idea stemmed from one of those paintings!

Penelope Dullaghan is a former art-director turned award-winning freelance illustrator who chronicles her artistic development at her website, Penelope Illustration.

* * * * * * *

How do you know? I think you have to make space for knowing. A few months ago I started feeling unsatisfied with a project that’s taken up a lot of my time without a lot of success. At first I wanted to either lean hard into the project, knowing I hadn’t given it my complete all, or just stop, drop, and go after something different. In the end, after some thought and discussion, I went for a different and new-to-me approach: taking a break, a hiatus, without doing anything rash.

That “middle ground” is not, as I’d feared, waffle-y or indecisive at all—it’s actually rich and powerful, a space for me to just be creative without a goal, and attend to other aspects of my life that have been a little neglected. I’ve discovered more in this space than I would have by either keeping going or stopping, including huge inspiration and clarity on said project. Even with that clarity, I’m still sticking with the timeline I’d created for my break instead of rushing back to work, because I don’t know what else I might discover in this process—and I’m loving it on its own.

Maeg Yosef is an artist, illustrator, writer, wife, and mama living and loving in Western Massachusetts.

So, what is exciting you? What is calling to you? Is there a project that you gave up on because of feedback you received, but it’s still near and dear to your heart? What are you being called to create that might not be on a trend cusp so you are hesitating? Perhaps it’s time to stand up (shoulders back) and begin that something, or perhaps it’s time to take a break and listen to your own heart. Whichever is the case, we’d love to hear your stories.

through shaded lenses: is there a lack of vision in the new art & crafts movement?

maple wood eyeglasses by tumbleweedsoddities - click image for more info

“I love making stuff.”

“I have a passion for craft.”

“I need to express myself.”

These are worthwhile pursuits. And I say, “Get to it!”

These statements are killer reasons to explore your artistic side. To get creative. To see what your own two hands can do.

But they are not good reasons to start a business.

Your passion for craft, art, design, and creativity is pure motivation. It’s fuel for your soul. But it doesn’t mean that opening an Etsy store will change your life.

The new arts & crafts movement is built on a huge vision. Led by Etsy, Martha Stewart Omnimedia, Sublime Stitching, and other companies ahead of their time, a world is being built based on quality over quantity, craftsmanship over automation, and originality over sameness. This world is beautiful, a little strange, and always new.

[My vision for Etsy is,] instead of having an economy dictate the behavior of communities, to empower communities to influence the behavior of economies. In my mind, Etsy’s ecosystem is about empowering and supporting these very small businesses. That goes well beyond just a marketplace.
– Rob Kalin, Etsy CEO via the Wall Street Journal

The vision of this world is the “why” behind movement. It’s why it’s caught on so fast. It’s why people care so passionately about it. It’s why people are willing to spend money on things we might not have even considered buying 10, 5, or 2 years ago.

And it’s all about you.

The movement and the businesses leading it are focused on a bigger purpose. It’s not only about their passion and certainly not only about their profit. The purpose of this movement is to build a whole new economy, way of doing business, method of consumption, and manner of operating in the world.

While it may sound idealistic, I’m concerned about the number of designers, makers, and artists that seem focused so completely on what they want for themselves in their business: a creative outlet, a way to stay home with the kids, a side business, a way to get rid of some of those extra craft supplies. These are wonderful results to be striving for, goodness knows I’ve worked towards all but the last, but they don’t inspire action.

I don’t think these fledgling business owners are self-centered. They just haven’t been pushed to have a dream for anyone but themselves.

Products with a clear sense of WHY give people a way to tell the outside world who they are and what they believe. Remember, people don’t buy WHAT you do, they buy WHY you do it.
– Simon Sinek, Start With Why

My argument here isn’t actually a marketing one. I don’t write this post as a business coach. I write it as a consumer.

The lack of vision shows up in telling ways: blindly following trends, putting faith in outside parties, not accepting challenges, copying others designs, or settling for last year’s tactics.

I’m not interested in why you’re doing this for you when I stand in front of your craft show booth or when I’m perusing your blog. I’m interested in what you want for me. I don’t need you to cater to me, I just want to know what I’m buying into. If I buy from you, I want to become a part of your vision.

I need to at least feel your purpose. I want to melt into your vision and become something bigger than myself.

Is that a lot to ask of a tiny business? A fledgling product? It sure is. But there is an overabundance of stuff that demands it. I demand it.

There is always room in the market for one more business, product, or passionate person with a clear sense of WHY.

Meaning. Vision. Purpose. Intention. Aspiration.

Sell me on those and you’re well on your way to making me want your stuff.

scarcity, bounty, and the comfort of the remarkable

weaver's farmers market orchard

chicken wire & chicken

pumpkins

If you’re managing a project, figure out what the scarce resource is (it’s not usually money). Climbing Everest? It’s warmth and weight you care about, not how much the sleeping bag costs.
Scarcity creates value.
Seth Godin

As artists – and remember, you’re already an artist – our most remarkable trait is always our vision, our perspective. It’s the ability to see something – a dab of paint, an autumn landscape, an impoverished community, a hungry child – differently than others see it. Whether you are a visual artist, an artist of technique or performance, an artist of action and change – our unique perspective on what is beautiful and necessary is what is ultimately scarce.

For the artist alone holds her vision.

purple mums

The vision comes and goes, mostly goes, but I live for it, for the moment when the mountains open and a new light roars in spate through the crack, and the mountains slam.
– Annie Dillard, Pilgrim at Tinker Creek

But an artist’s vision is even scarce to her. She doesn’t view the world as a constant revelation. Her vision appears in fits and starts. It appears in bursts of understanding and a great sense of “ahhh….” Release. Rest.

She doesn’t always look through an artist’s eyes.

These moments – though few and especially far between – are what gives her art substance, the subtly of shape & form. These moments are what fulfills her need to create and commune with the divine in the world and outside it. These scarce moments are what she desires.

We are driven hither and yon by one desire after another and sometimes by several desires at once, and we shall get no rest until we rest in “God.” For the name of God is the name of what we love and desire.
– John Caputo, On Religion

Comfort as an artist doesn’t come in forcing more of these moments into being. Comfort comes in recognizing each moment of clarity as a special miracle.

And miracles are scarce.