Conversations With My Critic

Girl Reading by Belafonte

When was the last time you told yourself that what you were making, writing, or doing was not good enough?

I was 19 when I began to realize that the chatter in my head was not the truth. In an eating disorder treatment center, the therapists’ goal was to help us all understand that the voices telling us to stop eating, to work out more, to purge, to take diet pills – those voices in our own heads – were not being honest with us. They were our inner critics, and they were speaking entirely from a place of fear and insecurity.

It was an incredible gift for me – at that age – to begin to understand that the negative stories I was telling myself were not actually true. Instead, they were the frightened chatter of the most insecure parts of myself. And I could choose not to listen to them.

So when I heard the cadence of “I’m not enough,” I began to recognize it as thought rather than truth.

Later, in my mid-twenties, I worked with my therapist on discovering why I had developed the “I’m not enough” voice in the first place. We talked a lot about how it had once been a somewhat useful coping mechanism, a way to protect myself from potential external pain. If I told myself that I wasn’t pretty enough, it wouldn’t hurt so badly when I didn’t get asked to the sixth-grade dance. Or if my internal voice said I wasn’t smart enough, then getting a low grade wasn’t a shock.

The problem is that the inner critic, just like anyone, gets better with practice. And it’s a game stopper. Eventually it becomes stronger than any potential outside critiques, and you stop creating, writing, doing – before you even start. What’s the point? You’ve convinced yourself you’re not good enough.

The thing about the critic, though, is that it’s not mean – it’s not trying to hurt you. It’s scared. Like a little 11 year-old who is afraid of not getting asked to the dance. Instead of fighting against my inner critic or trying to ignore it, my therapist encouraged me to treat it like the frightened 11 year-old it is, to engage it in a little mini-conversation that goes something like this:

Critic: No one is going to connect with this blog post you’re writing. You’re embarrassing yourself.

Me: Oh Critic, thank you for being there when I needed you to protect me. But I’m actually okay now. And I’m really excited to share this.

Critic: It’s going to suck.

Me: I know you’re scared about that, but you can relax. I’ve got this.

Perhaps reading this little dialogue, you think I’m crazy. Maybe I am, but having these little mini-conversations has helped me push through those days when I have trouble trusting my own abilities. And as someone attempting to grow a creative business, there are an unfortunate number of those. If I didn’t give my inner critic a little vacation – let it know that its services are no longer needed – I’d never get anywhere.

Almost 13 years after being formally introduced to my inner critic, I’ve accepted that it’s not going away.

And when I’m making real creative progress is when it’s most likely to pop up and derail things because those times of progress are the most vulnerable – right before I hit the publish button on a new blog post or tell someone about my creative ideas or upload an item to my etsy shop.

And when it shows up in those moments, I know just what to say.

Thanks.

I got this.

working from the heart

This is an excerpt from Susannah Conway’s new book, This I Know: Notes on Unravelling Heart. Want to win your own copy of Susannah’s book? Leave a comment below and you’ll be entered!

Turning our passions into a job does not always work out and not everyone wants to do their passion full-time. For some they remain wonderful pastimes that bring joy and fulfillment exactly as they are. But for those of us who are dissatisfied with our day jobs and feel called to find work that reflects our true interests, the clues to achieving this are already in our lives — we just need to know where to look for them.

The first clue is how you spend your spare time away from your day job. Do your interests involve volunteering or travel? Do you like to make things? Are you a member of any societies? Do you like to be out in nature or working on projects at home? What books and magazines do you buy? What would you do every day, even if you weren’t getting paid? Sometimes our passions are not obvious, so pay attention to what you do rather than what you say. If you’re not sure where your true passions lie, or feel you have too many, think about the interests you had as a child — what did you want to be when you grew up? Is there anything in your life now that reflects those early dreams?

When was the last time you were really excited about something?

Next, think about where your true talents lie. What comes easily to you? What are you good at? It might be organizing gatherings and managing people or maybe you’re the next Nigella Lawson in the kitchen. Do you have a knack for color coordination, or are you the dog whisperer in your family? What do your friends ask you to help them with? What have you always had a flare for?

Be sure to consider the difference between the pastimes you enjoy and the skills you have a true aptitude for. For example, I’ve always enjoyed painting and am in awe of artists who draw from their imaginations, but while playing with paints and canvas is fun once in a while, I know my true talents lie elsewhere. I could learn to paint better, but it doesn’t come naturally to me. Taking well-composed and evocative photographs, on the other hand, has always been my gift.

True talents can be honed and expanded but from the very beginning there’s an ease threaded through them.

My sister is a gifted illustrator and teacher, and whenever I’ve seen her teach I’m impressed by how she wrangles a room full of art students, opening their heads and shining a light inside. I, on the other hand, teach best online, using images and writing to inspire, connect, and create community. When we find the right forum for our true talents, synapses spark and ideas solidify.

Think about where your true talents intersect with how you spend your time. Where’s the sweet spot for you? When my e-courses took off it became clear how my hobby — blogging and online socializing — and my true talent — photography — melded so well together. I’d been creating the pathway to work I was passionate about, unbeknown to me.

The final factors to consider are the community and connections you have around you, and how you inhabit that world.

If we hope to be paid for the work we do it can’t be done in a vacuum; at some point other people will need to get involved. At its most basic, work is giving our time, services, or goods in exchange for money from an employer, client, or customer. If the skills you have mean you’ll be making a product then you’re in search of customers; if you offer a service, you need to find clients. It may be that your true talents are best shared with an employer, but no matter whether you’re selling goods or your time, other people are necessary.

As an introverted soul, I like the relative privacy my online business gives me, despite seemingly being “out there” all the time. Working from home is perfect for me but a more extroverted person would likely find it isolating.

What suits your personality?

Working for ourselves brings a sense of freedom into our lives, but it can also get lonely—do you work better with a partner or a team? Who can you reach out to in your community right now?

I’ve only touched on a few possibilities in the space I have here, but whether you’re in between jobs, craving change, going back to work after a period away or just sure that you were meant for something more, the best place to start is within, unraveling the dreams that call to you when you close your eyes.

And of course, not everyone wants to change jobs, but having spent time with my community, both off- and online, I know that if you’re creatively inclined and feel drawn to the thoughts in this book, you most likely yearn to express your authentic self in all you do. It’s a desire that touches all parts of our lives, from our relationships with our family and friends, to our work, beliefs and even the place we live. It doesn’t surprise me that the years I struggled with my working life were also the years I was the least connected to myself.

And this is why we unravel — to heal the hurts of the past so we can move forward unencumbered by the baggage that’s kept us small; to heal the hurts of the present so we live each day with intention and awareness; and to know how to heal the future hurts when they happen, because they will and we’ll be ready.

 

Susannah Conway is the author of This I Know: Notes on Unraveling the Heart (SKIRT!, June 2012). A photographer, writer and e-course creator, her classes have been enjoyed by thousands of people from around the world. Co-author of Instant Love: How to Make Magic and Memories with Polaroids (Chronicle Books, 2012), Susannah helps others reconnect to their true selves, using photography as the key to open the door. You can read more about her shenanigans on her blog at SusannahConway.com and connect with her on Twitter: @SusannahConway.

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Win your own copy of This I Know!

One lucky Scoutie Girl reader will receive a copy of Susannah’s book. Simply leave a comment below and you’ll be entered. Winner will be notified via email by June 15, 2012.

Piece by piece

At the Edge of the Unknown

Making art and making a living. Lots of folks here on Scoutie Girl and elsewhere have plenty of goodness to share on the topic.

My angle: I agree with Lewis Hyde – author of The Gift: Creativity and the Artist in the Modern World – that artists (and other folks with gifts to give to the world) have always put food on the table in a few different ways. Looking at this historically can help us creatives remember that we are part of a long lineage of those who have gone before.

Hyde writes:

[T]here are three primary ways in which modern artists have resolved the problem of their livelihood: they have taken second jobs, they have found patrons to support them, or they have managed to place the work itself on the market and pay the rent with fees and royalties.

I want to look at the last of these first: selling the actual products of your artistic labor.

With my new album, “at the edge of the unknown,”  being released as we speak, issues surrounding selling our artwork is definitely “up” for me right now. Every time my phone buzzes with an alert from Paypal that someone else has bought a CD (a CD, can you believe it, in this day and age?!?) I feel a little thrill. And when I put them in the mail I know I will be thinking: “There it goes, one sweet shiny disc with all of the love that I tried to squeeze onto it, winging out to spread hope in the world.”

At the same time, I feel torn. Do I actually want to try to make money from selling CDs (or downloads) or do I want to be able to give my music away freely? Which approach will actually feel more nourishing to me? And how can I make my approach to sharing my music with the world best line up with my larger mission of helping people find their truest voices? As another recent post here on Scoutie Girl pointed out, we don’t want to monetize everything we make.

One danger Hyde points out is that relying on sales of your art to feed your family can lead toward making pieces based too much on what we think will sell.

How do we balance the urge to give people what they want with the need to return over and over again to that deepest Well of Creativity itself?

And then, some art is priceless; we give away what is most precious, like the quilt my sister-in-law is making in honor of my wedding.

Are you wrestling with questions of selling your art? How to price what feels priceless? Does the question of making things for market trouble you, or do you feel like: “People pushing to pay vast quantities of money for my art? I should have such problems!” Or have you made peace with piece work? Let me hear you!

Why you need to embrace all of your passions

Everyone knows someone who can slam dunk a basketball, kick a field goal, and serve an ace all with relative ease. It’s the same for the creative arts. Most creatives fall into the category of multi-talented individuals. We can play three or four different instruments and we can knit, crochet, and embroider with skill. A painter enjoys gardening, an actor masters arias, and a dancer can sculpt a mean tea cup.

So why don’t more people embrace their multiple talents? Why don’t we see dancers sculpting tea cups after their performances?

The problem lies in the fact that everyone constantly tells us we can only focus on one thing. We need to find our strength and stick with it. We need to find our niche and dig in. We can be a master of one trade or a jack of none (or however that silly phrase goes).

But is that how you were as a child?

My mother can tell you that I split my days between the important tasks of tooting on the recorder, drawing masterpieces in crayon, building terrariums for caterpillars that never made it into butterflies, and doing impersonations of Tom Brokaw (please don’t ask).

So if we are multi-talented as young children (or at the very least multi-passionate – because believe me, I had no talent at the recorder or at butterflies), why are we afraid to embrace that in our work? Why do colleges dislike people (like me) who pursue more than one degree?

Why are we told we can’t be amazing at two things – only one?

A few months back I had this itch to embroider. It was such a silly desire because the last time I had sewn, I was 12 and my grandma was teaching me how to make day-of-the-week tea towels. Besides, I was an illustrator! I didn’t have time to sew! And if I did have time, there was no point because it wouldn’t bring in money and wouldn’t I be better off bringing in food money?

Well, the itch turned into a nag and finally I caved. I stitched one of my illustrations onto a piece of fabric and posted a picture on my blog, feeling entirely stupid about sharing it. Within hours, my blog lit up! Everyone wanted to know how they could sew their own!

I had inadvertently created a new product line by following a whim. That itch, founded on one of my other passions, now brings in a whole field of new customers to my shop. I’ve added a new medium to my work, going from paper to cloth. Plus, they allow me to take routine breaks from my drawing and entertain my other love. But the best part is that these patterns and kits allow people to interact with my drawings on a much deeper level.

Pretty good for a whim, right?

If I had listened to that fear of wasting time and potentially losing money, I never would have created my embroidery line. (And I wouldn’t have given my grandmother something to share with her quilting circle.)

So if you love more than one thing, embrace it!

If you hear a little voice telling you to coach, to sing, to dance, to paint, to make tea cups, LISTEN! You never know where it could lead you.

Just please, for your family’s sake, leave the recorder to the kids. My brother investigated and there is no such thing as a professional recordist.

art to inspire: 7 prints to inspire you in your workspace

Naturally, as the writer of a column called “art to inspire,” I am a firm believer in surrounding yourself with inspiration each day – in your home and elswehere, but especially when it comes to your workspace. So here are seven suggestions for new office hangings to remind you of the things I am sure, deep down inside, you already know…

1. Live with Passion

2. Dream Big

3. We’ve Got to Live, No Matter how many Skies have Fallen

4. Trust your Instincts

5. You are so very Worthy

6. Change your Thoughts, You’ll Change the World

7. This is my Year

Looking for more inspiration? You can read past art to inspire articles here to get your week rolling. And if you feel so inclined, please share your favorite quotes and/or inspirations in the comments below.