where craftiness comes from: lakshmi

Lakshmi is an architect and mother of two, living in Australia but originally from India. Recently, we caught up to discuss where her craftiness comes from.

pink and white petals by studiolakshmi - click image for more info

Lakshmi is the artist behind Studio Lakshmi, where she shares her beautiful paintings.

Her earliest memory of being creative is as a child, when she created “goodbye cards” for all her friends when her family moved states within India. Her family were always supportive of her creativity, allowing her all the resources that she could need to express herself through art. Even when she chose to study architecture they supported her choice.

Creativity has always been a part of Lakshmi’s life. She has always drawn, sketched, and painted. But it was her experience at grad school in the USA where she was really inspired by design.

“I think the biggest influence would have to be my experience at grad school. Being in the college of design, I was constantly surrounded by art majors in all design fields, interior designers, architects, graphic designers. There would be art projects in every nook and cranny. It fueled my creativity in architecture, but I am positive some of the influence shows up in my art.”
- Lakshmi

Painting is very therapeutic for Lakshmi; it is something that allows her to express herself. I think that this is something many can relate to, no matter your craft.

We all have some form of expression in our lives, something that allows us to relax and just to be in that moment.

Lakshmi has reminded me of this. What painting does for her may show itself differently in you or me, but it’s still within each of us.

Don’t you think so, too?

Thanks, Lakshmi! Visit her here: shopwebsitefacebooktwitter

Memento Vita: Remembrances and Gratitude

My very first post here on Scoutie Girl asked the age old question, “What is Art?” It started an interesting conversation in the comments. In the seven or so months since, I am still exploring that question, or rather a derivative of it.

What is art good for?

I carry a moleskine or the like wherever I go to jot down ideas, or take notes on what I see and hear. Last week when I was going through some I found notes I’d written in response to a Renoir show at the Philadelphia Art Museum over a year ago. I have never been a huge fan of Renoir. His work all looks alike to me and is somehow too pretty. What I learned at the exhibit surprised me and helped me understand why he worked as he did, and why I was not in love with it.

Renoir began drawing and painting as a child working in a porcelain factory, creating decorative china. Discovering a talent for painting, he went on to become a painter of great acclaim, but he never lost the idea of art as decoration.

The purpose of painting is to enliven the walls.

Now I am not sure all his contemporaries would agree, but it is true that he lived in a time when art had become something for the privileged, and held an elitist place in society. Renoir was determined not to intellectualize art, but I believe he was unusual in that.

My art history is rusty, but I believe this began during the mid to late Renaissance and continues to this day. What is interesting to me is that for the larger part of history, art had a purpose in function and informing. The earliest art we know of – that of cave dwellers – had a purpose that is uncertain, but certainly a purpose beyond decoration.

The purpose of the paleolithic cave paintings is not known. The evidence suggests that they were not merely decorations of living areas, since the caves in which they have been found do not have signs of ongoing habitation. Also, they are often in areas of caves that are not easily accessed. Some theories hold that they may have been a way of communicating with others, while other theories ascribe to them a religious or ceremonial purpose.

Later, in Egyptian art, we see great luxury going into decorative arts, but also there was purpose to much of it, and so it goes until around the 1500s. Even during the Middle Ages, when some great cathedrals were built, the elaborate decoration was representative of the Glory of God. Stained glass scenes were illustrations of Bible stories to teach the illiterate.

So, what does all this mean you might ask? We live in a time where some art still has a place in high esteem and intellectual theory, and where more people than ever are creating some kind of art. Supplies are available and affordable, and digital photography has opened that field to the masses.

I think that indicates it is time to bring some function back to the arts.

Much of my searching and writing here has been about how to do that.

The past month gifted me with an opportunity to try an idea out and I think I am on to something. I had been thinking about offering personalized images for significant events or celebrations. A woman I know had asked me to personalize one of my tree pieces with names and date for a wedding gift. This made me think about how to take it further and actually create a piece with images that would mean something to the recipient.

My dear friend John lost his uncle last month. They had been really close and he was pretty torn up about it. He sent me some photos he’d taken in fall which he and his uncle both loved. He also told me he was working on a poem to honor his uncle and wondered if I could somehow do something with this. What a coincidence, I have been thinking about doing this exactly!

The result is what you see above, and my new service is called Memento Vita, Remember Life, because even at a memorial service I believe we should celebrate a life rather than mourn a death.

In my never ending concern for the life of the planet, I created this awareness piece yesterday. I plan to do a series with crows as I have an inexplicable fondness for them.

Art with a purpose. What do you think? How else might we create art to have a function at a time when we desperately need change?

passion + painting from jeremey miranda

Last week, I found the work of Jeremy Miranda, who was recently a featured seller on Etsy. And as I read through his interview, I realized that Jeremy’s work would be perfect for SG in the wake of Tara’s most recent posts about the definition of passion.

This guy not only creates really great paintings, he also has reasons for doing it. And aside from that, he often works on between 50 and 60 small pieces at the same time. That’s not a typo: 50-60 paintings at once!

How’s that for passion?

But that’s not even the whole story because after those 50 to 60 pieces are finished, Jeremy goes through them all and chooses just a handful to continue researching. Those pieces are made into larger works. And here’s what that process is like:

These larger paintings are heavily worked through generations of paint and varnish where I intermittently sand and scrape away to reveal past layers and textures. I try and make work with the notion that my paintings may have been dragged up from the bottom of the ocean…

Just reading about his process makes me tired. And inspired.

Painstaking & Particular.

Those are the words that come to mind when I read what Jeremy wrote. But what I love most about his work is the freedom I see in those final brushstrokes, sitting at the very top of his canvas or paper. Two seemingly opposite ideas (particular/ specific AND freedom/ movement) coming together so harmoniously.

Dare I say it… This is the definition of passion. At least one of them anyway.

Massive Ice Wall

Emerald Iceberg

Visit Jeremy Miranda on Etsy to browse available work and visit his portfolio site for past works. And for more inspiration, read Jeremy’s interview on Etsy (great interview).

annamaria potamiti + the power of storytelling

One of the things that I always make an attempt to do over the weekend (when I have time) is catch up on blogs and sites that I haven’t visited in a while. And since I finished my to-dos a little earlier than I expected, I was able to search through a few artists’ blogs, whose works I admire. Amongst the blogs that I visited, the artist that stuck out most in my mind was Annamaria Potamiti. While reading through her blog, I found this quote, and her paintings became all the more interesting to me…

My home is next to the sea. I watch it in storms and I watch it when at peace. I am spending my time doing small watercolors that are becoming more and more like taking notes of the world around me.

Annamaria was referring to the piece above, entitled The Wind on the Sea. It was just a few sentences, but I felt more connected to the piece after learning a little more about Annamaria’s story. If I hadn’t visited her blog and read that small little tid bit, I may not have ever made a deeper connection, which ultimately lead me to buy the piece. So in the spirit of sharing, I’d thought I leave you with these thoughts today…

Share those little tid bits with your audience. If there is a story to be told, tell it.

Buyers are people. People don’t connect with the materials or dimensions in your product description. They connect with stories. And those stories and connections will ultimately lead to sales. So, don’t be afraid to share a sentence or two with your readers and/or potential customers that builds that bond. Even if its just a little something.

What story would you like to tell about the things that you create?

hand-painted paper cut & pinprick collages: lena wolff

With laundry piling up, the kids home for summer, and that never ending to-do list, life can get a little crazy sometimes. And when it does, I always make an attempt to get outside : take a walk through the park or a long bike ride to lunch – something like that. Being around nature, with the sunshine beaming down, helps me clear my head.

Which brings me to today’s artist: Lena Wolff. There is a wonderful balance of flora and fauna in Lena’s hand-painted paper cut and pinprick collages. And the often “blank” or uncluttered backgrounds allow those magically, simple bits of nature to shine through.

*Thanks Ez for introducing me to Lena’s work.